At first, there is an image. One concrete scene that plays out in my head. It’s so vivid and clear in my mind. And it repeats itself over and over again. That image usually latches onto an idea, then another and then a plot forms. The combination of those things starts me writing fiction. And usually, I find myself walking down a road with characters and, often, subject matter that I know little about.
And that’s how my writing process begins. This may be because I am visually oriented, and can often see clearly the scenes of my book played played out in my head down to the details of what is on tables, what’s hanging on walls and who is in the crowd. Most of the journalism I did for the military usually started with a hook. I’d interview the principals, get some scope on the story, then the “hook” would usually stick itself in my head. Then I’d write it. Something close to 1,500 stories when like that, including a few of the writing samples on this Web site.
For example, my second novel project begin with the image of a baseball player at bat in a crowded stadium being shot by an assassin. That led to another idea (concerning baseball players in the 1940s and their military service) which led to another one of my favorite interests (cryptography).
The novel project that followed the one above started almost the same way, with the image of a tramp steamer sinking in deep waters with nefarious cargo. The third project started with the question, “what if one man had to save a planet from the 1980s?” You get the idea.
What I write tends to happen on a whim, with little knowledge of where I’m going. And it continues that way for about 10,000 words until the idea has exhausted itself. Then, one of two things happens:
- I’ll connect it to another idea. Sometimes the ideas may be related. Other times, they are not. Then the writing process continues for another 10,000 words (or however long that inspiration lasts).
- I stop. Cold. When this happens, one of two things occurs: either I sit down and think about where the story should go, or the project gets idled.
For you writers who outline, I do that, too, but not until I’ve got about 20-25,000 words in the manuscript. And, as an admittance, by that time, I tend to run out of gas. I don’t know where to take the manuscript next. I’m scrambling for ideas and too many times my writing gets forced. So, a project will sit until I can come back to it with some enthusiasm, especially novels. Right now, my online experimental novel, Galactic Milk, is stuck at about 45,000 words. I’m looking for some place to take it. The first novel is done, but needs some significant edits, so there’s that.
Needless to say, the starts are fantastic, the middles are okay. The endings are tough. Friends have told me they have problems with middle more often than the end. I’ve never heard anyone have trouble with the start.
My solutions to these challenges vary. Some projects, I just *find* a middle and an ending. Then, fix it in the edits. Other times, they seem to work themselves out on their own. Some projects are simply comatose.
So, because, I’m always interested in process, and because I’m something of a knowledge junkie, I’d like to know how your writing process works? What sparks you go 80,000 words? Can you describe it in a comments in under 100 words?
Here’s your chance.
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Sounds like we’re pretty similar when it comes to writing. If I don’t have a plan, most of my stories would go 10,000 words, then die (and many have).
After reading “Novel Writer’s Toolkit” it helped me understand planning without overplanning so that I have stepping stones to get through the story, but the process doesn’t become technical.
OH, so to describe in 100 words (worse than Twitter!):
Figure End, Middle, Beginning. Fill in key points. Connect the dots and connect again.
Novel Writer’s Toolkit is (for some odd reason) only $.01 on Amazon: http://bit.ly/b3vGTy
~Ray
I had someone ask me this on Sunday. Most of my novels have taken just 1 sentence. A note I made while I was writing another novel. BAM! 80K later – a story. I never outline nor do I lay awake wondering what comes next. I open up my laptop, read the last chapter and plug away. A couple novels were from incidences in my life so those were kinda cheating. Tell the story & add a little fiction to protect the not-so-innocent… me :) I don’t recall ever really stalling for any of them. My characters take over and run the show.
103…my bad ;)
Ray, great post and helpful. And thanks for following the 100 words caveat! Good to hear from you!
103 works, too. Thanks, Bug. :)
In under 100 words… Hmmm… I’ll give it a go. ;-)
(These words don’t count!)
I start with the germ of an idea, which can be obtained from anywhere. This is often as vague as “a guy in a cave with a dagger on his hip.” I then start writing, just following where my mind takes me. After a few thousand words, I have a better idea of what I’m doing and where I’m going, and I create an outline. I generally plan no more than five chapters ahead, just enough to carry me on blocked days. If my story starts to veer off in a different direction, I adjust my outline to suit.
:-)
Adam
I’m crashing the party.
I don’t write fiction. I try and then I fail. However, I am inspired every day by something. Right now, it’s the breeze blowing through my kitchen. Yesterday, it was shoveling dirt. I am a very sensual writer, and not in the more common way that word is used. My senses, particularly what I see and what I hear, are what spark my writing. Since I have a bizarre sense of humor and I see hilarity in the mundane, it’s not hard for me to find something ridiculous to write about. It’s what keeps me sane. Well, sorta.
I never outline. My ADD kicks in and what I wind up with is a giant outline and no further desire to work on the project. By then, I have been assaulted by some other sensory deluge and I’m off like a ferret to find whatever sparkly thing caught my eye.
I am learning, though. Creative writing classes may not have taught me much about writing, but they have taught me volumes about discipline. Deadlines help, too.
But back to the original question, it’s the everyday things that inspire me. The way my puppy is snoring on the floor literally underneath the bar stool I am sitting on right now, the dandelions growing up through the base of the lawn umbrella in my yard, the hefty curve of the newel post on my staircase–all those things bend around one another to form a story.
My writing, both the non-fiction and the fiction, begins with something that leaps off a page. Usually from a magazine or newspaper. Giant snakes living in the Amazon 10,000 years ago when the Amazon was 10 – 15 degrees warmer. Things grew bigger in warmer climate. Genetic mutations occur quicker in higher temps than in temperate ones… hmmm, let the mind wander over various permutations and ideas.
Jason,
Cool beans! I had no idea and it’s so refreshing to see this web site. I’ve done little lengthy writing, stuck in newspaper land. Though I’ve had ideas which I think I’ll explore and see what happens. So often I slap on the headphones and listen to any of what I consider a broad range of musical tastes, and the melodies and harmonies seem to marinate my brain into a state to produce in text the joy that music speaks to my being.
Course this is probably way off base what’s being written here. Can’t wait to dive in and view some of what one of the Air Force’s greatest writers is producing.
James
First I am struck with a great idea and then I become the middle of an hourglass. Above me are clouds of ideas for the story, below me are the words put to paper and I am sifting through the thoughts to make them cohesive.
How the characters interact with situations and to each other are the main images in my mind. The toughest part is deciding what needs to be kept a secret and what needs to be revealed. Middles are tough, but it helps to have a sub-plot or two. Endings surprise me when I reach them.
Jennifer
Jennifer, James, Scott and Carole,
First, thanks for your comments!
Scott, I’d always been curious how your process worked. How’s your fiction stuff coming? James, I’m humbled; thank you. My fiction mostly stinks and is something of an incomplete mess. But I’m getting to a point where I may finally finish one and market it. :) Jennifer, I always have the biggest roadblock with endings because I want them to be big. Thanks again everyone for reading and commenting.
Ideas are hard for me. I’ve written two novels & I’m ready to start the third, and I’ve only had a couple more ideas beyond that. I outline after the initial burst (2000 words) but it’s sparse — just enough to keep me moving. I often leave gaps in the middle to work out as I get closer, but I always know how it ends. Fortunately I write very clean so my edits aren’t as massive as they seem to be for some of my friends, but it’s also harder to cut things. I hope that answers your question. (99)
:)